From Compton to San Juan, Halftime Shows have become significant cultural events. An interesting trend has emerged: they serve as a high-stakes platform for political protest. But how far can these protests go when they operate within an ideological state apparatus?

Who gets to inherit Black British music and when will we finally embrace the queer roots of our culture? We dive into Black freedom, queer constraint and the history of grime's garage-bound beginnings.

Joining the wave of run clubs along the tour, the US singer-songwriter closes his UK run in London with 'too much motion'.